Sopron basket

If a product designer’s first interior design adventure or attempt is followed by international and domestic awards, it can mean two things: adaptive talent, which results in the rapid mastery of internal criteria and rules in another ​less known design field; and full awareness of the design methodological conditions and necessities of ​their own design field and the ability to extend its scope. Essentially,  we are talking about the same things here. About ​a design- and planning method, a scheme of ​thought. Not about style, but about habitus.

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Of course, this does not mean that there is no difference in the design of an object and a complex system, an interior design object and its components.

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However, if this design attitude is not based on instinct, impulsivity, not conceptual, but analytical, not emotional, but rational, then the right design thinking can be exploited: the emerging solutions are ​the consequences of something, ​​logical outcomes of explored condition systems, and they are not born in an arbitrary way or on a whim.

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This is how the spaces of the Sopron Basket were born, and especially its furnishings and furniture. And with them, ​by them, a furniture designer was born.